Content
Language
All 61 newsrooms that participated in the study produce content in Ukrainian. For 79% of them (48 out of 61), Ukrainian is the sole language of publication. Thirteen percent of newsrooms (8 out of 61) continue to operate Russian-language products in one form or another, primarily in the South and East, where parts of their audience reside in temporarily occupied territories or are exposed to intense Russian information influence. According to respondents, dedicated Russian-language channels can help media outlets reach audiences in occupied territories while avoiding heightened scrutiny and censorship.
English-language content is produced by 11% of surveyed newsrooms (7 out of 61). This takes various forms, including dedicated English-language sections on websites, automated translation through website plugins, and the publication of selected materials in English for external audiences and platforms.
Compared to the previous wave of the 2024 study, the share of exclusively Ukrainian-language newsrooms has remained consistently high. At the same time, the number of media organizations deliberately launching English-language products continues to grow, primarily to connect with Ukrainians abroad and international audiences. Existing Russian-language versions are generally no longer updated and are often retained only as archives from earlier stages of operation.
“The site operates in Ukrainian. We kept the Russian version as an archive, but haven’t updated it since 2022. Our special projects editor is systematically expanding the English-language version—primarily for the diaspora and international partners.”
Editorial team from the West
Innovations and Content Plans
In 2025, 28% of surveyed newsrooms did not introduce any new content formats. This appears to be a natural consequence of resource constraints: many organizations deliberately prioritized the stabilization and improvement of existing products over experimentation and expansion.
Among those that did launch new formats, short-form vertical video was mentioned most frequently (18% of newsrooms). These formats are often used to present complex topics and analytical content in a more accessible way, particularly for younger audiences. Other newly introduced formats included investigative reporting projects, news digests, documentaries, audience polls, infographics, and explainers.
Among the formats that newsrooms most frequently plan to expand in the near future, short-form vertical video leads the list (34%), followed by news reports (33%), analytical content (31%), video features and segments (30%), and investigative reporting (26%). Reports, documentaries, video interviews, and longreads (in-depth text-based content) were each mentioned by approximately 20% of respondents.
The in-depth interviews also revealed plans to create dedicated platforms for slow content—content with longer production and consumption cycles. Notably, more than 15% of newsrooms openly stated that they do not intend to actively expand their existing format portfolio and are deliberately maintaining their current product scope. In most cases, this reflects resource constraints rather than a lack of ideas or ambition.
“We don’t plan to abandon formats, but we definitely want more investigations and video stories. This is what works for both reach and media reputation.”
Editorial team from the West
In 2025, many newsrooms were forced to discontinue or scale back certain content formats due to limited resources, staff losses, and the low financial sustainability of some experimental initiatives. The formats most frequently affected were resource-intensive video projects, which required substantial investments in equipment, production time, and staff capacity without a clear path to monetization.
Some newsrooms abandoned complex studio productions, documentary projects, and travel-related content. One newsroom was forced to shut down a project featuring live studio broadcasts with invited guests. Other independent local media organizations deliberately chose not to invest in horizontal YouTube video formats, recognizing that they would struggle to compete with larger media outlets, such as Suspilne, which have significantly greater technical resources.
Another category of formats that failed to gain momentum was specialized analytical content. Several newsrooms planned to launch in-depth political and economic analysis but encountered a shortage of qualified experts in their regions, as well as a general stagnation of local political life that often provided limited material for sustained analytical coverage.
Experiments with automated content re-packaging tools also produced disappointing results. For example, one newsroom tested a partnership with a platform that automatically converted articles into videos for monetization purposes. However, the initiative generated only minimal revenue (approximately USD 70 per year), leading the newsroom to discontinue the experiment.
Administrative overload also prevented some organizations from implementing more ambitious public-interest initiatives. In particular, several respondents mentioned plans to pursue strategic litigation aimed at increasing transparency and accountability in political processes. However, newsrooms lacked the time and organizational capacity required to sustain such long-term efforts.
December 2025. Pictured is Alona Sergienko, then-COO of Tsukru and now CEO. The photographer captured the working conditions in our office during power outages—each office had portable charging stations that could power minimal lighting and gadgets.
Photo: Sofia Stasyuk
Among the formats that newsrooms plan to phase out, podcasts are mentioned most frequently, primarily due to limited monetization opportunities and relatively high production costs. Respondents also cited long-form studio video interviews and certain thematic sections that consistently generate low audience engagement.
The rationale behind these decisions is largely pragmatic: as one respondent put it, “the format does not match our available resources and does not generate a meaningful response from the audience.”
“We’ve already stopped doing podcasts and video interviews. Not because it’s a bad format, but because at our scale, it doesn’t pay off the hours invested.”
Editorial team from the West
Newsrooms are seeking to innovate not only through new formats but also through new editorial priorities, particularly as a way to address audience fatigue [12] and strengthen public accountability. One notable priority for 2026 is a renewed focus on everyday local news—transportation, weather, public utilities, and other issues that have often been overshadowed by wartime coverage. Editorial teams hope that this approach will help attract broader audiences and create entry points for engagement with more complex social and civic issues.
At the same time, newsrooms are expanding their accountability and recovery coverage, with a growing emphasis on anti-corruption investigations, monitoring public procurement and tenders, and preparing for the next election cycle.
Another emerging priority is content that supports psychological resilience and community well-being. This includes positive stories about local achievements and recovery, providing an alternative to the constant flow of war-related news and coverage of military affairs. Editorial teams also plan to expand niche and lifestyle coverage, including topics such as environmental issues, urban development, European integration, food and culinary culture, and regional history.
For newsrooms covering temporarily occupied territories, explaining residents’ rights and countering propaganda through adapted content formats remains a key priority.
Text-based Formats
Text remains the foundation of content production for regional newsrooms. The most common formats in 2025 were articles and longreads (97% of newsrooms, or 59 out of 61), news (95%, 58), interviews (89%, 54), and reports (75%, 46). Analytical content was produced by 64% of newsrooms (39), while 31% (19) published columns and blogs, and 26% (16) produced reviews and digests.
Compared with 2024, the overall structure of text production remained largely unchanged. The share of newsrooms producing articles and longreads increased from 87% to 97%, while news coverage remained stable at 95% and interviews at approximately 89–92%. By contrast, the share of newsrooms producing investigative reporting and digests declined slightly.
Regional differences were minimal. Across virtually all macro-regions, the core text production model remained consistent, centered on a combination of news reporting, long-form journalism, and interviews.
Of the 61 surveyed newsrooms, 58 provided numerical data on the average number of news stories published per week, while three provided only qualitative responses. Collectively, the surveyed newsrooms produce approximately 6,000 news stories each week. The median output is 70 news stories per newsroom per week, while the average is 96.
The distribution of newsrooms by weekly news output is as follows:
Up to 9 news stories — 5% (3 newsrooms)
10–19 — 10% (6)
20–49 — 21% (12)
50–99 — 24% (14)
100 or more — 40% (23)
While news production remains intensive, the volume of in-depth text content—including articles, longreads, analytical pieces, reports, and interviews—is considerably lower. Among the 59 newsrooms that provided numerical data, the median output is five in-depth pieces per week, the average is approximately eight, and the highest reported figure is 30.
As a result, a typical newsroom produces roughly 70 news stories for every five longer-form pieces each week—a ratio of approximately 14:1.
“We’re working to ensure that in our feed, news doesn’t ‘compete’ with long-form pieces for the reader’s attention, but rather leads them further: news is a reason to visit, while analysis or interviews are a reason to stay.”
Editorial team from the Center
The share of reprinted content in the 2025 survey was measured using percentage ranges. The distribution was as follows:
All content is original (0% reprints) — 23% of newsrooms (14 out of 60);
1–20% reprints — 11% (7);
21–40% reprints — 26% (16);
41–60% reprints — 23% (14);
61–80% reprints — 15% (9).
Using the midpoint of each range as an estimate, the average share of reprinted content across the 2025 sample is approximately 31%, down from 41% in 2024 and 37% in 2023.
Several factors appear to have contributed to this decline. Respondents pointed to stricter requirements from Google and social media algorithms regarding content originality, growing audience demand for exclusive reporting, and staffing reductions that prompted some newsrooms to reduce the volume of routine news coverage—where reprints have traditionally been most common—in favor of producing more original content.
At the same time, reliance on reprinted material remains significant for a substantial share of the sector. Approximately 38% of surveyed newsrooms reported that reprints account for more than 40% of their published content.
“Overall, we calculated that over 46% of our content is completely unique, while the rest consists of reprints of press releases from news agencies, which we use to create short news items without extensive rewriting.”
Editorial team from the Center
Investigations
In 2025, 48% of surveyed newsrooms (29 out of 61) produced investigative reporting. While this figure falls short of the apparent demand for investigative journalism in Ukraine’s media landscape, it is largely consistent with the resource constraints faced by regional media organizations. At the same time, investigative reporting remains one of the sector’s highest priorities: approximately one-quarter of newsrooms identified it among the formats they are most eager to develop in the near future.
Several newsrooms reported bringing investigative journalists back onto their permanent staff in 2025. In previous years, this work was often carried out through collaborations with freelancers or specialized investigative centers.
The time required to produce an investigation varies considerably, ranging from two weeks to four or five months per story. The most commonly reported timeframe is one to two months, although respondents emphasized that they typically work on several smaller investigations simultaneously. Some newsrooms openly acknowledged that, due to limited funding and staff capacity, they were unable to produce any original investigations in 2025. They identified this as one of the most significant gaps in their editorial work.
“On average, two months per investigation, but we’re working on two or three at the same time. Without this, the volume of investigative material would simply drop to a level that’s unacceptable for us.”
Editorial team from the Center
“Due to a lack of funds and time, we did not conduct any original investigations in 2025. This is one of the areas we definitely want to bring back in 2026, if we can secure dedicated funding.”
Editorial team from the South
Regional differences are also evident. Among the newsrooms that produced investigative reporting in 2025, organizations from the Center and the East were disproportionately represented. By contrast, among those that identified investigative journalism as a priority for future development, newsrooms from the West and the South were more prominent.
This suggests that demand for investigative reporting is widespread across all regions. However, the ability to produce such work depends heavily on organizational capacity, including the presence of dedicated investigative staff and access to targeted funding and grant support.
Video Formats
By 2025, video had evolved from an optional add-on into a core component of newsroom operations. The most widespread format was short-form vertical video (Shorts and Reels), used by 89% of surveyed newsrooms (54 out of 61). This was followed by video interviews (57%, 35 newsrooms), video features and segments (56%, 34), captioned videos (56%, 34), and video reports (44%, 27). Documentaries, instructional videos, and animated content remained niche formats, produced by between 8% and 15% of newsrooms.
Compared with the previous wave of the study, the share of newsrooms systematically producing short-form vertical video increased significantly. In 2024, approximately one in two newsrooms produced this type of content, whereas by 2025 the figure had risen to nearly nine in ten. By contrast, the share of newsrooms producing longer-form video features and video reports remained relatively stable.
This points to a strategic shift toward mobile-first video formats designed primarily for consumption on smartphones. At the same time, many newsrooms are reducing investment in resource-intensive studio production unless it forms a core part of their editorial product.
“We started releasing captioned videos in a new format—with journalists on camera. This works both for team recognition and for reach.”
Editorial team from the West
“We stopped using widescreen video. We kept only vertical captions shot on a phone. Not because we don’t see value in them, but because we don’t have the resources to produce both formats to a high standard.”
Newsroom from the North
Regional differences are also evident in video production. The highest concentration of newsrooms with a diversified video portfolio (three or more video formats) is found in the Center and the East. In the South, video production tends to follow a “fewer formats, but consistent output” approach, while newsrooms in the West are more likely to experiment with video interviews and documentary projects.
Newsrooms operating near the front lines in the East and South more frequently use video reports to document conditions in local communities, evacuation efforts, and the broader impact of the war.
In most cases, video content is produced by journalists and editors themselves (38% of newsrooms, or 23 out of 61) or by dedicated in-house video specialists (30%, 18 newsrooms). Another 20% (12) rely on freelance professionals.
Eva Mironova – Correspondent, Zaporizhzhia, 2024 – Heavy shelling, Dmytro Khrystenko
Photo: Donbas News
Content for Social Media
A total of 93% of surveyed newsrooms (57 out of 61) create dedicated content for social media rather than simply reposting material from their websites. This represents a notable increase from 88% in 2024. Only four newsrooms (7%) continue to rely primarily on reposting or cross-posting content without adaptation, and these are predominantly small organizations with limited staff capacity.
The trend is clear: for Ukrainian regional media, social media is increasingly viewed not as a secondary distribution channel, but as a distinct editorial product with its own formats, audiences, and content strategy.
Among newsrooms that create dedicated content for social media, visual and condensed formats clearly predominate:
Stories featuring links to website articles — 82% of newsrooms;
Carousels and image series — 75%;
Short teaser posts linking to the full article on the website — 67%;
Captioned videos and short narrated videos — 31%;
Infographics — 28%;
Polls, voting features, and other interactive content — 23%;
Long-form posts that contain the full content within the social media platform itself — 18%.
Most newsrooms use three to four content repackaging formats simultaneously as part of their social media strategy.
Other Types of Content
Among other content formats used in 2025, the most common were photo reports (74%, or 45 out of 61 newsrooms), polls and audience voting features (46%, 28), infographics (44%, 27), podcasts (30%, 18), and memes (23%, 14). Compared with 2024, the use of most of these formats declined, including photo reports (from 80% to 74%), polls (from 60% to 46%), and infographics (from 50% to 44%).
Podcasts were the only format to show growth, increasing from 20% to 30% of newsrooms. At the same time, five newsrooms reported discontinuing podcast production in 2025, citing limited monetization opportunities, low organic reach, and insufficient resources to sustain the format.
“We stopped doing podcasts—there’s no funding, and they don’t get many views. If we find a relevant grant program, we’ll bring them back.”
Editorial team from the South
The broader trend in 2025 points to the repositioning of podcasts as a premium content format rather than a mass-audience product. Newsrooms that remain active in this space increasingly focus on long-form interviews and documentary series supported by project-based funding, while regular weekly podcast production is becoming less common.
Content Quality
Newsrooms’ assessments of content quality are expressed primarily in qualitative terms. Approximately half of the surveyed teams describe their content as “high-quality” or as meeting their expectations, while another quarter characterize it as generally strong but still requiring further improvement. Only a small number of newsrooms provided numerical evaluations, typically rating their content between 7 and 8 on a 10-point scale.
When asked what is needed to improve content quality, newsrooms most frequently cited access to qualified specialists (52%, or 32 out of 61), more time for in-depth reporting and content production (51%, 31), stronger skills and experience among existing staff (44%, 27), technical support and equipment (28%, 17), new ideas and creative approaches (25%, 15), and better access to experts and exclusive information (20%, 12).
Taken together, these responses suggest that human capacity remains the sector’s most significant constraint. Newsrooms are concerned not only with the number of staff available, but also with having the right mix of skills and expertise needed to produce high-quality content.
“If we hired more specialists, we could increase the amount of content and reach a whole new level of quality. We don’t have enough funds for that right now.”
Editorial team from the East
“We lack time. We could cover everything we do in greater depth—if there were two or three days between publishing a news story and a long-form piece, rather than just half a day.”
Editorial team from the Center
Regional differences in self-assessments of content quality are relatively limited. Across all macro-regions, the median rating is approximately 7 out of 10. However, regional variation becomes more apparent when examining the factors that constrain quality.
In the East and South, technical capacity—including backup power, security-related equipment, and preparedness for blackouts—is more frequently identified as a limiting factor. In the Center and West, by contrast, newsrooms are more likely to emphasize the need for access to expert sources and the expansion of editorial teams.
Artificial Intelligence in Newsrooms
By 2025, artificial intelligence had ceased to be a futuristic novelty and had become an integral part of everyday newsroom operations. Media managers’ attitudes toward AI range from active encouragement—some respondents suggested that not using AI is increasingly becoming a disadvantage—to more cautious skepticism, where the technology is viewed primarily as a supporting tool that cannot replace human judgment in complex creative and editorial work.
Most newsrooms do not yet have formally adopted policies governing the use of AI tools. In practice, however, they actively encourage their teams to use AI for routine tasks and workflow automation. Some of the more advanced organizations have even introduced dedicated roles focused on process optimization through AI and cybersecurity oversight.
Demand for AI-related training emerged as one of the most notable trends of 2025. Fourteen newsrooms (23% of the sample) identified AI integration as a priority area for professional development, while another eight (13%) listed it among the knowledge and skills currently lacking within their teams. As a result, AI has become one of the sector’s leading training priorities for 2026, alongside advertising sales and investigative journalism.
The main areas of AI application in newsrooms include:
Content processing and adaptation — transcription (the conversion of audio and video into text) has become one of the most common uses of AI, saving journalists significant amounts of time. Newsrooms also use AI to rewrite press releases and official communications in more accessible language, generate SEO-friendly headlines and descriptions, and translate news content.
Visual content creation — AI is frequently used to generate illustrations, graphics, and collages when original visual material is unavailable. Newsrooms generally label such content to indicate that it was created using AI.
Data analysis and monitoring — journalists use AI to process large volumes of information, including asset declarations, court records, and public procurement data from Prozorro. AI also supports more complex analytical work, such as calculating indicators and rankings used in transparency and accountability projects.
Organizational and operational processes — managers use AI for brainstorming, scriptwriting, advertising concepts, and customer database analysis. In some cases, AI also supports the development of automated tools and bots that collect routine information, such as updates on utility disruptions and power outages.
Among the tools most frequently mentioned by media managers are ChatGPT and Claude (for writing and idea generation), Symbli and Google Pinpoint (for transcription), Google NotebookLM (for document analysis), Fireflies (for meeting recording and note-taking), and tools such as Nano Banana and Tonu for video and audio production.
Media managers identified one of the key risks associated with AI as the growing dependence on major technology platforms and their algorithms. In particular, respondents expressed concern that AI-powered search systems may increasingly provide users with direct answers, reducing traffic to news websites and limiting audiences’ exposure to original journalistic content.
The demand for external support related to AI is also clearly reflected in the survey’s open-ended responses. Six newsrooms identified AI among their priority needs, ranging from equipment and resources for developing AI-powered products to support for conducting digital audits and integrating AI into editorial workflows. Four newsrooms specifically requested financial support for the implementation of AI tools. Two organizations included AI integration among their updated strategic priorities for 2026, framing it as a means of improving production efficiency and developing new non-news content formats.
Overall, AI was mentioned more than 30 times across the open-ended responses to the 2025 survey, appearing in contexts ranging from training needs and funding requests to strategic planning and product development.
Editorial Policy
A total of 93% of surveyed newsrooms (57 out of 61) have a written editorial policy. This represents one of the strongest formal indicators of organizational maturity within the sector and marks a noticeable increase compared with previous waves of the study. As recently as 2024, approximately 86% of newsrooms reported having formalized editorial policies or equivalent governing documents.
The remaining 7% (4 newsrooms) are primarily newly established or very small organizations that either rely on informal editorial guidelines or are in the process of formalizing their policies and internal procedures.
The most significant qualitative changes in 2025 involved updates to editorial policies governing the use of AI tools, fact-checking practices during wartime, avoiding reliance on Russian sources, and the handling of sensitive content, including coverage of frontline communities, affected civilians, and children.
Another notable trend was the incorporation of audience engagement standards into editorial policies, including guidance on communication with audiences and the moderation of hate speech and abusive behavior on social media platforms.
“In addition to our standard editorial policy, we’ve developed an internal protocol for working with AI: what we use to assist with editorial work and what we never ‘hand over’ to artificial intelligence—specifically, original quotes from interviewees and security-related information.”

























































